The film follows the travels of vallenato musician Ignacio Carrillo (portrayed by real-life musician Marciano Martínez) who is followed by Fermín, a young boy who wants to be his apprentice, in a journey to return his instrument to his original owner, the man who once was his mentor.
Ignacio Carrillo is a vallenato musician from Majagual (Sucre), who decides, after his wife's sudden death, to stop playing and return his accordion to his former master. It is said that the instrument is cursed after Guerra, the former master, won a duel with the devil. He is joined by Fermín Morales (Yull Núñez), a teenage boy who admires Ignacio and wishes to become a juglar like him. Carrillo reluctantly accepts, given his loneliness. In 1968, on an Ash Wednesday, Carrillo, Morales and their donkey start a journey through several towns in the Caribbean region in Northern Colombia, to Taroa (a small caserío in La Guajira Desert) where Carrillo's master supposedly lives. During their journey, Carrillo participates in the first version of the Vallenato Legend Festival in Valledupar.
Cast
Marciano Martínez as Ignacio Carrillo
Yull Núñez as Fermín Morales
Agustín Nieves as Ninz
José Luis Torres as Meyo
Production
Guerra had the idea to make the film after an introduction meeting for students when he began to study films in the National University of Colombia. "A boy stood up and said: My name is John Doe, I'm x years old and I hate the vallenato. And people applauded him.". He decided then to demonstrate that the vallenato is more than "commercial music that is heard in the buses of the cities and that generates prevention in people".[citation needed]
Guerra sees vallenato as an important cultural component pointing out "If there is the American imaginary of the western and the Chinese imaginary of the fantastic genre of martial arts, here is one very rich in vallenato".[citation needed]
The protagonists of the film had no experience as actors before the production, so they received a year of preparation for the making of the film. According to Guerra, it was easy to find people willing to participate in the production, with the exception of the Arawak of the Sierra Nevada de Santa Marta, who were a more reserved community so it took a year's effort to persuade them.[citation needed]
The film was released on 30 April 2009 as part of the Vallenato Legend Festival.[citation needed]
Reception
Critical response
The film received positive reviews from critics. Justin Chang of Variety gave a positive review of the film. He summarized his review saying: "The rugged majesty of the Colombian landscape forms a spectacular widescreen backdrop for a simple, bittersweet tale of regret and companionship in "The Wind Journeys."[2] David Sterritt of TCM wrote: "Extremely high praise is due to the widescreen color cinematography by Paulo Andrés Pérez, which captures a sweeping array of locations... in images brimming with atmosphere." He also praised the music by Iván Ocampo, saying that his "... original score is also crucial to the movie's effectiveness".[3] As noted by Ana Cecilia Calle in her review for Austin Film Society, the film makes references to the legendary figure of Francisco the Man, of whom it is said beat the devil in a contest and is mentioned in Gabriel García Márquez's One Hundred Years of Solitude. She also wrote: "The film sharply points out ways music connected people and territories in rural northern Colombia in the late 1960s... The film's quest of returning the accordion is an homage to such communities..." Like others, she praised the cinematography saying: "Guerra's careful cinematography offers both a tempting dish and also a challenge for the audience: panoramic shots, long silences, short dialogues, crisp, wide ambient sound. These elements allow us to lose ourselves in a sensorial experience that can also question our traditional cinematic ideas about time."[4]
