The series was aired in seven installments between February 6 and February 13, 1983 on ABC. With 140 million viewers of part or all of Winds of War, it was the most-watched miniseries at that time.[1] It won three Primetime Emmy Awards (out of thirteen nominations[2]) and was nominated for four Golden Globe Awards,[3] including Best Miniseries or Television Film. The success of The Winds of War spawned a 1988 sequel miniseries, War and Remembrance, also based on a novel written by Wouk and also directed and produced by Curtis.[4]
Plot summary
The series follows the plot of Wouk's novel closely, depicting events from March 1939 until the entry of the United States into World War II in December 1941. It tells the story of Victor "Pug" Henry (played by Robert Mitchum), an American Navalattaché in Berlin and a confidant to PresidentFranklin D. Roosevelt, and his family, and their relationships with a mixture of real people and fictional characters. A significant subplot of the series follows the activities Adolf Hitler and the German General Staff, with the fictitious general Armin von Roon as a perspective character.
Production at the Hofburg in Vienna in 1981Filming on board USS Peleliu, December 7, 1981
Development
Author Herman Wouk was exceedingly pessimistic about a film adaptation of his beloved and scrupulously researched novel, because he had been extremely unhappy with earlier film adaptations of his novels Marjorie Morningstar, The Caine Mutiny and Youngblood Hawke. He was convinced by Paramount Pictures and the ABC television network that a miniseries would allow the full breadth of his epic story to be brought to life onscreen.[5] Wouk required unusual control over the production in his contract, including considerable influence on the production and veto power over what products could be advertised during the miniseries and how many commercials would be allowed. Wouk also has a cameo as the archbishop of Siena.
I, Claudius screenwriter Jack Pulman was originally hired to adapt the novel. He and Wouk worked for months preparing an outline. After Pulman died suddenly in 1979, Wouk himself wrote the teleplay for the series.[6]
Casting
The casting of Lee Strasberg as Aaron Jastrow was publicly announced in February 1981.[7] Strasberg had to withdraw from the production before filming any scenes, due to ill health (he died in 1982). He was replaced by John Houseman.[8] Houseman later had to withdraw from the sequel miniseries, War and Remembrance, due to his own ill health (he died in 1988). He was replaced by John Gielgud.
Filming
Paramount produced the miniseries for $40 million ($122 million in 2023 dollars). ABC paid $32 million for the broadcast rights, then charged advertisers $175,000 for 30-second commercials and $350,000 for one-minute commercials. ABC expected simply to break even on the original broadcast and make any profits from later reruns and syndication.[9]
The series was shot at 404 locations in Europe, California and Washington state over 14 months.[6] The 962-page script contained 1,785 scenes and 285 speaking parts.[6] The production involved 4,000 camera setups and shot a million feet of exposed film. The production had a 206-day shooting schedule and came in four days ahead of schedule.
The opening scene sub-titled "Berlin" was actually filmed in and around the Hofburg in Vienna. The OpsRoom at RAF Uxbridge, from which the Battle of Britain fighter defenses were commanded, is only rarely made available to the public. In the beginning of part 6, the train scenes were filmed at the Orange Empire Railway Museum with Ventura County 2-6-2 number 2.
The music was composed by Bob Cobert, a composer often associated with Curtis.
Use of stock footage
The production made use of battle scenes from other films during the attack scene on Pearl Harbor and during the German attacks on the Soviet Union, including scenes for both battles from Tora! Tora! Tora!
Episodes
The miniseries was shown by ABC in seven parts over seven evenings, between February 6 and February 13, 1983.[11] It had a runtime of 18 hours including commercials, or 14 hours 40 minutes excluding commercials. Parts One, Two, Six and Seven ran for three hours including commercials, while parts Three, Four and Five ran for two hours including commercials. It attracted an average of 80 million viewers per night.[12]
Part
Title
Original air date
1
"The Winds Rise"
February 6, 1983 (February 6, 1983)
2
"The Storm Breaks"
February 7, 1983 (February 7, 1983)
3
"Cataclysm"
February 8, 1983 (February 8, 1983)
4
"Defiance"
February 9, 1983 (February 9, 1983)
5
"Of Love and War"
February 10, 1983 (February 10, 1983)
6
"Changing of the Guard"
February 11, 1983 (February 11, 1983)
7
"Into the Maelstrom"
February 13, 1983 (February 13, 1983)
Release
A premiere screening of the first episode was held in Washington D.C. at the Kennedy Center on Thursday, February 3, 1983, three nights before airing on ABC. The screening was attended by members of the cast including Robert Mitchum, Ali MacGraw, John Houseman, Polly Bergen and Peter Graves. Producer/director Dan Curtis and writer and Washington resident Herman Wouk also attended, though Wouk refused all requests for interviews, saying "I'm a very private person." Also attending were Paramount owner Charles Bluhdorn, who hosted the event, as well as ABC Motion Pictures President Brandon Stoddard, Jack Valenti, Ted Kennedy, Robert McNamara, Art Buchwald, two senators, and numerous other Washington luminaries.[13]
After running a massive year-long advertising campaign, which cost an additional $23 million,[14] ABC reported that the miniseries had 140 million viewers for all or part of its eighteen hours, making it the most-watched miniseries up to that time.[1]
Reception
Critical response
New York Times TV critic John O'Connor said that the "hoopla on 'The Winds of War' has been nearly as massive as the project itself. The result, while not as artistically impressive as 'Brideshead Revisited,' is less manipulative than 'Holocaust' and at least as emotionally compelling as 'Roots.'" Mitchum, he said, "manages to carry the art of acting to the extremes of minimalism. He moves like an imposing battleship." Most of the actors, he said, are "at least 10 years older than the characters they are playing." Overall, O'Connor said, "the story does hold. It rumbles along, creating its own momentum, until it eventually becomes the television equivalent of a good read that can't be put down."[15]
Columnist Tom Shales of The Washington Post called the miniseries "bulbous and bloated" and said "a first-year film-school student could edit three or four hours out of the thing without hurting the flow at all." Watching Winds of War, he said, "ecstatic superlatives like 'competent' and 'acceptable' come to mind." He ridiculed the performances, and described the actors as too old for their roles.[16]
The show was a success throughout the United States and received many accolades, including Golden Globe nominations and various Emmy wins and nominations.[17]
Keith Stafford, Richard Adams, Denis Dutton, James Fritch, Robert Gutknecht, Carl Mahakian, Lee Osborne, Bernard F. Pincus, Edward L. Sandlin, Ian MacGregor-Scott