His interests are wide-ranging and his scholarly approach is individualistic.[5] They include environmental perception, language, technology and skilled practice, art and architecture, creativity, theories of evolution in anthropology, human-animal relations, and ecological approaches in anthropology.
Early concern was with northern circumpolar peoples, looking comparatively at hunting, pastoralism and ranching as alternative ways in which such peoples have based a livelihood on reindeer or caribou.
In his recent work, he links the themes of environmental perception and skilled practice, replacing traditional models of genetic and cultural transmission, founded upon the alliance of neo-Darwinian biology and cognitive science, with a relational approach focusing on the growth of embodied skills of perception and action within social and environmental contexts of human development. This has taken him to examining the use of lines in culture, and the relationship between anthropology, architecture, art and design. He discusses his entire career in From science to art and back again: The pendulum of an anthropologist (2016).[6]
Writing within the anthropological realm of phenomenology, Ingold explores the human as an organism which 'feels' its way through the world that "is itself in motion";[7] constantly creating and being changed by spaces and places as they are encountered.
Honorary doctorate of the Leuphana University of Lüneburg (2015)
Bibliography
Ingold, T. (2021). Correspondences. Polity, London, UK.
Ingold, T. (2018). Anthropology: Why it matters. Polity, London, UK.
Ingold, T. (2017). Anthropology and/as education. Routledge, London, UK.
Ingold, T. (2015). The Life of Lines. Routledge, London, UK.
Ingold, T. (2013). Making: Anthropology, Archaeology, Art and Architecture. Routledge, London, UK.
Ingold, T. & Palsson, G. (eds.) (2013). Biosocial Becomings: Integrating Social and Biological Anthropology. Cambridge University Press, Cambridge, MS.
Janowski, M. & Ingold, T. (eds.) (2012). Imagining Landscapes: Past, Present and Future. Ashgate, Abingdon, UK.
Ingold, T. (2011). Being Alive: Essays on Movement, Knowledge and Description. Routledge, London, UK.
Ingold, T. (2011). Redrawing Anthropology: Materials, movements, lines. Ashgate, Aldershot.
Ingold, T. & Vergunst, J. (eds.) (2008). Ways of Walking: Ethnography and Practice on Foot. Ashgate, Aldershot.
Ingold, T. (2007). Lines: A Brief History. Routledge, Oxon, UK.
Hallam, E. & Ingold, T. (2007). Creativity and Cultural Improvisation. A.S.A. Monographs, vol. 44, Berg Publishers, Oxford.
Ingold, T. (2000). The perception of the environment: essays on livelihood, dwelling and skill. London: Routledge.
Tim Ingold. In the Gathering of Shadows of Material Things. Exploring Materiality and Connectivity in Anthropology and Beyond. Schorch,P., Saxer, M., Elders, M., (eds.), UCL Press. 2020
Tim Ingold. On the Distinction between Evolution and History. Social Evolution & History. Vol. 1, num.1, 2002, pp. 5–24[10]
Tim Ingold. Towards an Ecology of Materials. Audio recording of lecture given in University College Dublin, February 2012.[11]
Tim Ingold. Interview with Tim Ingold on October 05, 2011. In Ponto Urbe, Revista do Núcleo de Antropologia Urbana da USP, Num.11, Dec. 2012.[2]
^"Interview with Tim Ingold". Pontourbe.net. Archived from the original on 4 March 2016. Retrieved 7 January 2016. in Britain, I feel that I've gone in one direction and, by and large, anthropology has gone in another direction. I often wonder whether I am an anthropologist any more. I think I'm forging a field that doesn't seem to be the field that other people who call themselves anthropologists are in. I don't worry about it too much, because I just do what I do and let other people decide whether I'm an anthropologist or not.