Tina Landau (born May 21, 1962) is an American playwright and theatre director. Known for her large-scale, musical, and ensemble-driven work, Landau's productions have appeared on Broadway, Off-Broadway, and regionally, most extensively at the Steppenwolf Theatre Company in Chicago where she is an ensemble member.
Landau's early work included site specific productions with New York City's En Garde Arts, including Orestes and The Trojan Women: A Love Story, both by Charles L. Mee, as well as her original play "Stonewall: Night Variations." Floyd Collins, with a book by Landau and a score by Adam Guettel, opened off-Broadway at Playwrights Horizons in 1996. Landau was nominated for the Drama Desk Award for Outstanding Book of a Musical and the Drama Desk Award for Outstanding Director of a Musical, and the production won the Lucille Lortel Award for Best Musical. A later version of the show played at San Diego's Old Globe Theater, The Goodman Theater in Chicago, and The Prince Music Theater in Philadelphia (where it was originally commissioned and produced.)
Landau's other New York City directing credits include Old Hats (with Bill Irwin and David Shiner) at the Signature Theater, Paula Vogel's A Civil War Christmas at New York Theatre Workshop, Charles L. Mee’s Iphigenia 2.0 at the Signature, Dream True, Mary Rose, Miracle Brothers and Wig Out!, all at the Vineyard Theater, as well as In the Red and Brown Water, Space, and Saturn Returns all at The Public Theater.
In addition to Floyd Collins, Landau's writing includes book and lyrics for Dream True and States of Independence, both with scores by Ricky Ian Gordon, the plays Beauty at La Jolla Playhouse (San Diego Critics Best Play), Space at Steppenwolf, the Public, and the Mark Taper Forum (TIME magazine Top Ten), Stonewall: Night Variations, and 1969 (or Howie Takes a Trip). With Anne Bogart, Landau has co-authored The Viewpoints Book: A Practical Guide to Viewpoints and Composition.[9]
Landau has taught at Yale University and the Yale School of Drama, Tisch School of the Arts at New York University,[10] University of Chicago, Northwestern University, and Columbia University.
In 2024, Landau directed on Broadway Mother Play by Paula Vogel. In 2025, she will return to direct a revised Broadway production of Floyd Collins at the Vivian Beaumont Stage at Lincoln Center, as part of their 2024-2025 season. She will also direct Redwood on Broadway, a new musical starring Idina Menzel.[11][12]
In 2022, Landau was featured in the book 50 Key Figures in Queer US Theatre, with a profile written by theatre scholar David Román.[18]
Notes
Peterson, Jane T., and Bennett, Suzanne. Women Playwrights of Diversity: A Bio-Bibliographical Sourcebook, Greenwood Press, 1997. ISBN978-0-313-29179-1
Dominus, Susan. The 9 Habits of Highly Creative Directors, New York Times, September 4, 2005.
Bogart, Anne and Landau, Tina. The Viewpoints Book: A Practical Guide to Viewpoints and Compositions . Theater Communications Group, 2005. ISBN978-1-55936-241-2
Hausam, Wiley, ed., The New American Musical: An Anthology from the End of the 20th Century. Theatre Communications Group, 2001. ISBN978-1-55936-200-9
References
^Postal, Bernard; Silver, Jesse; Silver, Roy (1965). "Harry Rudolph". Encyclopedia of Jews in Sports. New York: Bloch Publishing Co.
^Anne Bogart; Tina Landau (1 August 2004). The Viewpoints Book: A Practical Guide to Viewpoints and Composition. Theatre Communications Group. ISBN978-1-55936-677-9.