Vincent LingiariAM (/lɪŋdʒɪjɑːri/; 13 June 1908 or 1919 – 21 January 1988) was an Australian Aboriginal rights activist of the Gurindji people. In his early life he started as a stockman at Wave Hill Station, where the Aboriginal workers were given no more than rations, tobacco and clothing as their payment. After the owners of the station refused to improve pay and working conditions at the cattle station and hand back some of Gurindji land, Lingiari was elected and became the leader of the workers in August 1966. He led his people in the Wave Hill walk-off, also known as the Gurindji strike.
Vincent Lingiari was born in 1919, according to Australian Government records, but some sources allege his date of birth was actually 13 June 1908.[1][2] He became a poorly-remunerated stockman at Wave Hill Station when he was a young man.[3]
Wave Hill Cattle Station is located approximately 600 km south of 5/6E Darwin in the Northern Territory. From the late 19th century it was run by the British pastoral company Vesteys. Vesteys employed the local Indigenous people, the Gurindji, to work on Wave Hill. But working conditions were extremely poor and wages were very low when compared to those of non-Indigenous employees.[4]
In 1966, Lingiari, a member of the Gurindji, worked at Wave Hill and had recently returned from a period of hospitalisation in Darwin and led a walk-off of indigenous employees of Wave Hill as a protest against the work and conditions.[5] While there had been complaints from Indigenous employees about conditions on Wave Hill over many years, including an inquiry during the 1930s that was critical of Vestey's employment practices, the walk-off had a focus that was aimed at a wider target than Vestey's. Before 1968 it was illegal to pay an Indigenous worker more than a specified amount in goods and money. In many cases, the government benefits for which Indigenous employees were eligible were paid into pastoral companies' accounts, rather than to the individuals.[6]
The protesters established the Wattie Creek (Daguragu) camp and demanded the return of some of their traditional lands. Speaking on this Lingiari said, "We want to live on our land, our way".[7] So began the eight-year fight by the Gurindji people to obtain title to their land.
The Wave Hill strike would eventually reshape the agenda of relationships between Indigenous Australians and the wider community. Although initially an employee-rights action, it soon became a major federal issue when the Gurindji people demanded the return of their traditional lands.[6]
An important and symbolic event in Australian history occurred when, during an emotional ceremony in 1975, Prime Minister Gough Whitlam poured the local sand into Lingiari's hands, symbolically handing a small part of land belonging to the Wave Hill station back to the Gurindji people, on a 30-year pastoral lease.[13][14][15] A photograph of the moment captured by Mervyn Bishop was purchased by the National Portrait Gallery and is displayed in Old Parliament House.[16]
Lingiari died on 21 January 1988.[2] Every year until then he attended the Gurindji's annual re-enactment of the walk-off.
Lingiari was a leader and holder of the cultural authority of the Gurindjii people. His fight for his people's rights made him a national figure. He won a victory that is one of the most outstanding achievements in the history of the struggle for the recognition of Indigenous people, and initiated awareness to non-Indigenous people of the intense connections between Indigenous peoples and their land.[17]
One of Australia's largest electorates is named after Lingiari. The Division of Lingiari encompasses nearly all of the Northern Territory as well as Christmas Island and the Cocos Islands. It includes Daguragu and traditional Gurindji lands.[18]
The story of his part in the strike is also told in Irish folk musician Damien Dempsey's song "Wave Hill Walk Off", on his 2016 album No Force on Earth.[22][23]
The Vincent Lingiari Cup, is an Aussie rules football competition that takes place at the annual Freedom Day Festival each year in Kalkaringi.[24]
Vincent Lingiari Art Award
The Vincent Lingiari Art Award was created in 2016 by the Central Land Council (CLC) and Desart, on the 50th anniversary of the Gurindji strike, and 40 years after the Land Rights Act was passed. CLC is the land council for Central Australia,[25][26] while Desart represents over 40 Aboriginal art centres in the region.[27] The award intentionally has a political focus, in particular relating to land and water rights for Aboriginal people.[28] The submissions, open to all members of Desart-affilieated art centres as well as artists with strong links to the CLC region, are displayed at the Tangentyere Artists Gallery (run by Tangentyere Council) in Alice Springs.[29] The award is the first art prize in the region developed by Aboriginal organisations.[30]
In 2016, the theme of the competition was "Our Land, Our Life, Our Future", and the inaugural award, judged by Hetti Perkins, was won by Marlene Rubuntja of Alice Springs, for her soft sculpture My future is in my hands. The award was worth A$15,000 in this year.[27][31]
In 2019 the award theme was "Our Country – True Story", relating to the call for truth-telling which was made in the 2017 Uluru Statement from the Heart,[25] and the submissions were exhibited from 4 September at the Tangentyere Artists Gallery.[26] The prize went to Eunice Napanangka Jack of Ikuntji Artists for her painting titled Kuruyultu, which is the name of the artist's birthplace, and the painting expresses her connection to it.[30]
In 2021, the theme was water rights, expressed as "Ngawa, Ngapa, Kapi, Kwatja, Water", intended to "raise awareness of our struggle against massive water theft that threatens the survival of desert plants, animals and people and for safe drinking water for our remote communities", according to the CEO of Desart, Philip Watkins.[31] The award paintings were exhibited from 8 September at the Tangentyere Artists Gallery, and a second award was also introduced, the Delegates Choice Award.[25] Judge Hetti Perkins selected the painting Raining at Laramba, by Grace Kemarre Robinya (born 1942) of Tangentyere Artists as the winner. The title refers to the small community of Laramba, near Napperby Station, where Robinya used to live, where the water supply contains three times the level of uranium considered to be the safe limit. The Delegates' Choice Award went to Leah Leaman for her painting titled Following the Waterways.[29] There were a record 47 entries for the A$10,000 award.[28]
