In the spring of 1893, Nicholson eloped with Mabel Pryde,[5] whom he had by then known for four years; they were married in Ruislip on 25 April.[6][7] The couple went to live in what had been a pub, the Eight Bells at Denham, Bucks.[8] They were soon joined by Mabel's brother James, and not long after by Ellen Terry's son Edward Gordon Craig and his wife May, who had also recently eloped and married. Nicholson received an annual allowance of £150 from his father.[9]
William and Mabel Nicholson had four children: the celebrated painter Ben (1894–1982); (John) Anthony (1897–1918), who died of wounds in France during the First World War; Annie Mary "Nancy" (1899–1978), artist and wife of the poet Robert Graves; and the architect and designer Christopher "Kit" (1904–1948). Mabel died in July 1918 in the Spanish flu epidemic, and Anthony died near the end of the war on 5 October 1918 of wounds received in action.[3][10] The inscription on Nicholson's son's grave reads simply: "TONY". War commemoration artwork produced by Nicholson included The Cenotaph (Morning of the Peace Procession) (1919).
From about 1910 until he remarried in 1919, Nicholson's housekeeper Marie Laquelle, whose real name was Adèle Marie Schwarz, née Schiestel, was also his mistress. Nicholson painted her several times, first as Carlina in 1909; he also painted her daughter Georgette and her second husband Norman Holder.[4]
In October 1919, Nicholson married Edith Minnie, daughter of Sir Lionel Phillips, first baronet,[11] and widow of Lieutenant-Colonel John Stuart-Wortley (killed in action, 21 March 1918),[12] who, under the name Elizabeth Drury, was also a painter.[13] Nicholson had painted her in the previous year as Lady in Grey.[7] They had two sons, William and Gavin, and a daughter Liza born in 1920.[3] Edie had two children from her previous marriage, and Nancy's daughter Jennie had been born the previous year. Nicholson's books for children all date from the 1920s; around this time he lived at the Old Manor House, Sutton Veny, Wiltshire.[14]
From 1935 until his death, Nicholson's companion was the novelist Marguerite Steen. According to Steen, they met in Andalucia in May 1935, and by mid-June were living together at Nicholson's mews studio in Apple Tree Yard, off Jermyn Street. Nicholson had been separated from Edie for some years, but they remained on good terms; although she promised to give him a divorce, she never did so.[15]
From 1893 to 1898, Nicholson collaborated with his brother-in-law James Pryde on poster design and other graphic work including signboard painting and book illustration. They called themselves the Beggarstaffs, or J. & W. Beggarstaff; in recent times they have been referred to as the Beggarstaff Brothers, although they did not use this name.[16]
Book design and illustration
Nicholson provided illustrations and a cover design for An Alphabet by William Nicholson, An Almanac of Twelve Sports by William Nicholson with words by Rudyard Kipling, and London Types, all three published by William Heinemann in 1898.[17] Two years later came The Square book of Animals by Sir William Nicholson with Rhymes by Arthur Waugh (W. Heinemann, 1900). He also illustrated several of the early books of his son-in-law Robert Graves and The Velveteen Rabbit, a book for children by Margery Williams (1922), and a new edition by Heinemann of John Gay’s Polly (1923). He also wrote and illustrated two books of his own for children, Clever Bill (1926) and The Pirate Twins (1929), both published by Faber & Faber. In 1929 he provided illustrations for a new edition of Siegfried Sassoon’s Memoirs of a Fox-Hunting Man.
Paintings
From about 1900, Nicholson concentrated on painting, encouraged by Whistler. He first exhibited as a painter at the International Society, of which Whistler was President.
Nicholson had a number of pupils, including, in the 1930s, Winston Churchill.[18] Churchill wrote that "I think the person who taught me most about painting was William Nicholson".[19]
Nicholson was awarded a gold medal in the graphic works section of the Art competitions at the 1928 Summer Olympics in Amsterdam for his Almanach de douze sports 1898, the French edition of the Almanac of Twelve Sports, published 30 years earlier.[20] He was knighted in 1936.[21]
Published works
As author and illustrator
An Alphabet. London: William Heinemann, 1898.
Twelve Portraits. London: William Heinemann; [New York]: R.H. R[ussell], 1899.
Douze portraits Paris: H. Floury, [1899].
Characters of Romance. London: William Heinemann, New York: R.H. Russell, 1900.
Twelve Portraits – Second Series. London: William Heinemann; New York: R.H. Russell, 1902.
Clever Bill. [London]: William Heinemann, [1926].
The Pirate Twins. [London]: Faber & Faber, [1929].
The Book of Blokes. [London]: Faber & Faber, [1929].
As illustrator
An Almanac of Twelve Sports. Verses by Rudyard Kipling, illustrations by William Nicholson. London: William Heinemann, 1897.
Almanach de douze sports 1898. Illustrations by William Nicholson, text by Octave Uzanne (Kipling's verses were not used in the French edition). Paris: Société française d'éditions d'art, [1898].
London Types. Quatorzains by William Ernest Henley, illustrations by William Nicholson. London: William Heinemann; New York: R.H. Russell, 1898.
Tony Drum: a Cockney Boy. Edwin Pugh, ten coloured plates from designs by the Beggarstaff Brothers (five by Nicholson, five by James Pryde). London: William Heinemann; New York: Henry Holt and Company, 1898.
The Square Book of Animals. Rhymes by Arthur Waugh, illustrations by William Nicholson. London: William Heinemann, 1900 (designed 1896, copyright 1899).
Oxford, Parts I and II, each containing lithographs by William Nicholson, descriptive notes by Arthur Waugh. London: Stafford Gallery, 1905.
The Velveteen Rabbit, or, How Toys Became Real. Margery Williams, illustrations by William Nicholson. London: William Heinemann, 1922.
Exhibitions
The principal exhibitions of William Nicholson include:
William Nicholson (1872–1949): British Painter and Printmaker[4]
References
^Lillian Browse (1956). William Nicholson. London: Rupert Hart-Davis.
^Patricia Reed (2011). William Nicholson: Catalogue raisonné of the Oil Paintings. London; New Haven: Modern Art Press, Yale University Press. ISBN9780300170542
^ abcdColin Campbell (1992). William Nicholson: The Graphic Work. London: Barrie & Jenkins. ISBN071262189X.
^ abcColin Campbell, Merlin James, Patricia Reed and Sanford Schwartz (2004). The Art of William Nicholson. London: Royal Academy of Arts. ISBN1903973449.
^Sanford Schwartz (2004). William Nicholson. New Haven; London: Yale University Press, for the Paul Mellon Centre for Studies in British Art.
^John Rothenstein (1984). Modern English Painters, Volume One: Sickert to Lowry. London; Sydney: Macdonald. ISBN0-356-10353-6. Second revised edition; first published (1952) as Modern English Painters: Sickert to Smith, 2 vols. London: Eyre & Spottiswoode. pp. 113–120.
^ abcAlan Bowness (1967). William Nicholson, exhibition catalogue. London: Marlborough Fine Art.
^ abPaola Watts (1983). William Nicholson: segno e immagine in un'ottica vittoriana (in Italian). Roma: Edizioni Quasar di Severino Tognon, for Soprintendenza per i Beni Artistici e Storici di Roma.
^[s.n.] (1903). The Works of William Nicholson, exhibition catalogue. London: Stafford Gallery.
^Octave Uzanne (1905). Exposition des oeuvres de William Nicholson, exhibition catalogue. Paris: Galeries Barbazanges.
^[s.n.] (1910). Exhibition of Paintings by William Nicholson: Rottingdean Landscapes and Other Subjects, exhibition catalogue. London: Chenil Gallery.
^[s.n.] (1911). Oil Paintings by William Nicholson, exhibition catalogue. London: Goupil Gallery.
^[s.n.] (1918). Still-life etc. by William Nicholson, exhibition catalogue. London: Goupil Gallery.
^[s.n.] (1927). Pictures and Drawings by William Nicholson, exhibition catalogue. London: Beaux Arts Gallery.
^[s.n.] (1933). Retrospective Exhibition of Paintings by William Nicholson, exhibition catalogue. London: Beaux Arts Gallery.
^[s.n.] (1934). Loan Exhibition of Paintings and Prints by William Nicholson, exhibition catalogue. Belfast: City of Belfast Museum and Art Gallery.
^[s.n.] (1934). Recent Paintings by William Nicholson, exhibition catalogue. London: Leicester Galleries.
^[s.n.] (1936). An Exhibition of Paintings by William Nicholson, exhibition catalogue. London: Leicester Galleries.
^[s.n.] (1938). An Exhibition of Paintings by Sir William Nicholson, exhibition catalogue. London: Leicester Galleries.
^Sir Kenneth Clark (1942). Exhibition of Paintings by Sir William Nicholson and Jack B. Yeats, exhibition catalogue. London: National Gallery.
^[s.n.] (1945). Paintings by Sir William Nicholson, exhibition catalogue. London: Roland, Browse and Delbanco.
^[s.n.] (1947). Sir William Nicholson: Paintings, Woodcuts and Lithographs, exhibition catalogue. London: Arts Council of Great Britain.
^[s.n.] (1967). Sir William Nicholson: Prints and Drawings, exhibition catalogue. London: Folio Society.
^[s.n.] (1972). William Nicholson, 1872–1949: centenary exhibition, exhibition catalogue. London: Roland, Browse and Delbanco.
^Duncan Robinson (1980). William Nicholson: Paintings, Drawings and Prints, exhibition catalogue. [London]: Arts Council of Great Britain. ISBN0728702452.
^Elizabeth Cayzer (1981). William Nicholson: Woodcuts and Lithographs, exhibition catalogue. London: Maclean Gallery.
^Hilary Lane, Penny Johnson (1995). William Nicholson: Landscape and Still-life, exhibition catalogue. Eastbourne: Towner Art Gallery. ISBN1871360080.
^Carola Kleinstück-Schulman, Hermann Kleinstück, Klaus G. Gerhardt (1998). William Nicholson, das graphische Werk: 1895–1905, exhibition catalogue. Darmstadt: Justus von Liebig.
Helena Moore, Hugh Casson (introduction) (1988). The Nicholsons: A Story of Four People and Their Designs: Ben Nicholson, 1894–1982; Nancy Nicholson, 1899–1977; Kit Nicholson, 1904–1948; E.Q. Nicholson, born 1908, exhibition catalogue. York: York City Art Gallery. ISBN9780903281065.