The story is centred on the "enchanted friendship" of two teenagers in 1933 English-speaking Germany. Hans Strauss (Christien Anholt) is the son of a Jewish doctor and Konradin Von Lohenburg (Samuel West) is from an aristocratic family. The background is the rise of Nazism. Jason Robards plays the older Hans in the 1970s as he prepares to travel to Germany for the first time since the 1930s.[2] The film was shot on location in Berlin, New York and Stuttgart.[3]Reunion was nominated for a Golden Palm at the 1989 Cannes Film Festival.[4]
Plot
American lawyer Henry Strauss (Robards) is preparing to return to Germany for the first time since he left in 1933 following Adolf Hitler's rise to power. He is seeking to renew an "enchanting friendship" of his youth with aristocrat Konradin Von Lohenburg (West).
Strauss was the son of a Jewish doctor and the friends did not see that around them the rise of Nazism would lead to their separation. Their travels together and philosophical discussions against the elegant background of 1930s Stuttgart form the main part of the film, told in flashback.
The older Henry's search for his childhood friend leads to a startling revelation as he discovers what became of Konradin after Hitler took power.
Cast
Jason Robards as Henry (formerly Hans) Strauss, as an old man
Time Out said of the film - "This moving rendition of Fred Uhlman's novel, about boyhood friendship betrayed under the destructive momentum of Nazism, shows Schatzberg at his (albeit limited) best." "Harold Pinter's tight and unobtrusive script, Trauner's fine production design and Philippe Sarde's muted but expressive score ensure a feeling of all-round professionalism."[5]
The New York Times said "'Reunion' is gratifying in the small ways most familiar from public-television's depictions of English upper-class behavior. The offhanded elegance of its settings, and the attractive crispness of its schoolboy manners ("Oh, he just rants and raves, doesn't he?" one of the film's cavalier young characters says about Hitler) are a major part of its gently decorative appeal."[2]
Channel 4 said "Nothing in Schatzberg's filmography makes the heart leap, but this film - adapted by Pinter from an autobiographical novel by Ulman - stands out above the rest. It's a quietly decent film that takes place primarily (via a flashback) in the early 1930s."[6]
