The song reached number 12 on the Billboard Hot 100 in the US, becoming one of their highest-charting hits in that country, but fared less well in their native UK, where it managed number 36.[1][2] It was also the final single released by the Moody Blues prior to their five-year hiatus, which was agreed upon so each of the band members could pursue their own solo careers.[1] Their next single would not be until 1978, with "Steppin' in a Slide Zone".[1]
The lyrics suggest that that music can unite people but says that people should not look to musicians for answers to their problems.[3] Music critic Maury Dean said that the song "combined a Byrds or Neil Young flavor with Jazz vocalics (complex chords) and a kicky, jiffy beat."[4]
Billboard regarded the song as a change of pace for the Moody Blues, stating that it had a more "upbeat rock sound" than their typical songs.[5]Cash Box predicted that it was "likely to turn gold," saying that "all indications are that it will head straight for the very top" of the charts.[6]Record World called it an "uptempo rocker" that will give the group "a lock on the top of the charts."[7]
Classic Rock critic Malcolm Dome rated it as the Moody Blues' 6th greatest song, calling it "a high energy, driving song which begins with a strolling drum intro from Graeme Edge."[3]AllMusic critic Lindsay Planer said that "Even though this is an uptempo rocker, Lodge delves headlong into an introspective space equal to that of another significant side, 'Isn't Life Strange.'"[8]
The song was the last of the band's singles to feature the Mellotron. A promotional music-video was filmed for "I'm Just a Singer (In a Rock and Roll Band)". This video showed the band's flautist Ray Thomas playing a baritone saxophone; however, according to keyboardist Mike Pinder, the saxophone was used just for effect in the video and the saxophone sound was produced by the Chamberlin.[9] The basic tracks for the song were recorded in Pinder's garage, producing a raw sound.[8]
The song remained in the Moody Blues' live concerts throughout their career.[8] Live performances of the song during the band's final years featured a live saxophone played by keyboardist Julie Ragins, along with Norda Mullen on flute.[10]
^Kent, David (1993). Australian Chart Book 1970–1992: 23 years of hit singles & albums from the top 100 charts. St Ives, N.S.W, Australia: Australian Chart Book. ISBN0-646-11917-6.