Max Lifchitz

Max Lifchitz (Ciudad de México, México, 1948) es un pianista clásico, compositor y director mexicano.[1]​

Max Lifchitz

Max Lifchitz (Ciudad de México, México, 1948) es un pianista clásico, compositor y director mexicano.[1]​

Estudios

Creció en Ciudad de México y comenzó allí sus estudios. Después estableció su residencia en los Estados Unidos en 1966.[1]​ Se graduó en la Escuela de Música Juilliard y en la Universidad de Harvard.[2]​

Pianista

Max Lifchitz se ha presentado en conciertos y recitales en distintos lugares de los Estados Unidos, Latinoamérica y Europa.[1]​ Ha tenido especial interés por la música del compositor mexicano Carlos Chávez. Después de la muerte del compositor, se le han encargado las ediciones de algunas de sus piezas.

Director

En 1980, fundó el Ensemble North/South Consonance, dedicado a la interpretación de música clásica contemporánea de las Américas, y funge como su director.[1]​

Profesor

El compositor mexicano Carlos Chávez.

Lifchitz ha formado parte de la facultad en la Universidad de Columbia y en la Universidad de Albany, la Universidad Estatal de Nueva York.[1]​

Reconocimientos

En 1976, Max Lifchitz recibió el primer premio en el Concurso Internacional Gaudeamus para intérpretes de música del siglo XX celebrado en Holanda.[3]​

Composiciones

  • Mosaicos, flute, oboe, clarinet, violin, double bass and piano (1971)
  • Roberta, orchestra (1973)
  • Exploitations, solo double bass, chamer ensemble and tape (1975)
  • Intervención, violin and chamber orchestra (1976)
  • Exceptional String Quartet, 4 double basses (players wear small sleigh bells on wrist of right arm) (1977)
  • Rhythmic Soundscape, piano and percussion (1978)
  • Affinities, piano (pub. 1979)
  • Transformations, cello (1979)
  • Winter Counterpoint, flute, oboe, bassoon, viola and piano (1979)
  • Yellow Ribbons #1, flute and piano (pub. 1981)
  • Yellow Ribbons #6, flute and piano (pub. 1982)
  • Yellow Ribbons #11, wind ensemble [2 fl, 2 cl, 2 ob, 2 hn, 2 bsn] (1982)
  • Yellow Ribbons #12, chamber ensemble [2 fl, 2 ob, 2 cl, 2 bsn, 1 cntr-bsn, 3 horn, va, vc, db] (1982)
  • Yellow Ribbons #13, clarinet (pub. 1982)
  • Yellow Ribbons #15, chamber ensemble [fl, ob, cl, vln, vc, pf] (1982)
  • Night Voices No. 3, oboe and piano (pub. 1984)
  • Transformaciones 2, violin (pub. 1986)
  • Yellow Ribbons #25, flute, alto sax, tenor trombone, percussion and double bass (pub. 1986)
  • Pulsations, 4 percussionists (1988)
  • Mosaico latinoamericano, flute and piano (1991)
  • Explorations, double bass, chamber ensemble and tape[1]​

Discografía

  • 1989 - Bronx Arts Ensemble (New World)
  • 1995 - Of Bondage and Freedom (North/South)
  • 1996 - Mexico: 100 Years of Piano Music (North/South)
  • 1999 - Elan (North/South)
  • 2003 - Carnaval/Carnival: Music from Brazil and the U.S. (North/South)
  • 2003 - Millennium Overture: Music by American Composers (North/South)
  • 2003 - Elizabeth Bell: Snows of Yesteryear (North/South)
  • 2004 - American Tapestry (North/South)

Referencias

  1. ↑ a b c d e f Pytheas Center for Contemporary Music.http://www.pytheasmusic.org/lifchitz.html
  2. ↑ North South Consonance. About Max Lifchitz
  3. ↑ North South Consonance. About Max Lifchitz.http://www.northsouthmusic.org/about.asp

Enlaces externos

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